Is princeton and beauty dating an empirical analysis of online dating
But despite the exterior sheen, all is not well in the Burnham household.
Lester is burned out, tired of conforming to the expectations of the American middle class.
Weinraub, Bernard, "A Wunderkind Discovers the Wonders of Film," in New York Times , 12 September 1999.
Mc Carthy, Todd, "'American' Dream, Worked Over," in Variety (Los Angeles) 13 September 1999.
Just as Lester does, so too does Carolyn deviate from expectations in search of something that will fulfill her.
She ends up in an affair with Buddy Kane, a fabulously smarmy real estate "king," and takes up pistol shooting as a hobby.
Denby, David, "Transcending the Suburbs: American Beauty Goes from Satire to a Vision of the Sublime," in New Yorker , 20 September 1999.
Awards: Oscars for Best Actor (Kevin Spacey), Best Director (Sam Mendes), Best Picture (Bruce Cohen and Dan Jinks), Best Original Screenplay (Alan Ball), and Best Cinematography (Conrad L.
Hall), 2000; British Academy Awards for Best Film, Best Actress, Best Actor, Achievement in Film Music (Thomas Newman), Cinematography, and Editing (Tariq Anwar and Christopher Greenbury), 2000; Broadcast Film Critics Association Awards for Best Director, Best Picture, and Best Original Screenplay, 2000; Chicago Film Critics Association Awards for Best Actor, Best Director, Best Picture, and Most Promising Actor (Wes Bentley), 2000; Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures (Sam Mendes, et al.), 2000; Golden Globes for Best Director—Motion Picture, Best Motion Picture— Drama, and Best Screenplay—Motion Picture, 2000; London Critics Circle Awards for Actor of the Year (Kevin Spacey), Actress of the Year (Annette Bening), Director of the Year, Film of the Year, and Screenwriter of the Year, 2000; Screen Actors Guild Awards for Outstanding Performance by a Cast in a Theatrical Motion Picture, Outstanding Performance by a Female Actor in a Leading Role (Annette Bening) and Outstanding Performance by a Male Actor in a Leading Role (Kevin Spacey), 2000; Los Angeles Film Critics Association Awards for Best Director, 1999; National Board of Review Award (USA) for Breakthrough Performance by an Actor (Wes Bentley), 1999; National Society of Film Critics Awards (USA) for Best Cinematography, 1999.
In cinema the suburbs have been skewered for years in exemplary films such as The Graduate (Nichols, 1967), Blue Velvet (Lynch, 1986), and The Ice Storm (Lee, 1997).
Furthermore, many of the narrative lines in American Beauty recall earlier films; for example, Lester's voice over from beyond the grave is reminiscent of Joe Gillis' (William Holden) in Sunset Boulevard (Wilder, 1950); his infatuation with Angela has echoes of Lolita (Kubrick, 1962); and Ricky Fitts' video voyeurism is a contemporary version of L. "Jeff" Jefferies' (Jimmy Stewart) window watching in Rear Window (Hitchcock, 1954).
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* * * Not since Mike Nichols' Who's Afraid of Virginia Wolfe (1966) has a theatre director made as auspicious a leap to the silver screen as Sam Mendes.